JEWEL 9. Tell All Voyage Marcadores: Download. Password [For Some]: jmagazinescansblogspot. Blog de cara nova. Juliano Gardiman. Marcadores: Ayumi Hamasaki. Hoje eu recebi uma coisa muito linda de uma das standistas do evento de Anime no qual eu sou promoter em BH. Olhem que lindo! Scanned by AyuFan.
Marcadores: Ayumi Hamasaki , Download. Espero que bem! Aff, Juliano chato! Pois bem, o CD demorou quase 4 meses para chegar, coitado do Takashi. Ai a fotinha para provar! Estou terminando minha parceria com ele e retornando minha parceria com o MegaUpload. Obrigado a todos pelo carinho de sempre e por favor, continuem compartilhando suas ideias, as nossas postagens e seguindo o HAD no Face!
In sales terms, the singer, songwriter, and style icon has outdone all other solo J-pop artists. Artistically, she has achieved her near-divine stature through a seemingly guileless yet carefully calibrated blend of vulnerability, integrity, and passion—and a gritty determination to rock, no matter the cost.
Born in Fukuoka in , Ayu moved to Tokyo at 14 and, after a short-lived film and TV career, achieved record-industry liftoff with her major-label debut, A Song for XX. Since then, Ayu has created a steady stream of dance-floor-friendly hits and touching ballads, with 12 of her first 14 albums topping the Japanese charts.
High-concept videos and elaborate costumes such as an ivy-draped torso or a casual take on French royalty add color and drama to her avowals of guilt, doubt, loneliness, and, ultimately, survival that resonate so strongly with fans.
As early, reflective blockbusters Loveppears and Duty gave way to entreaties for peace and understanding on 's I Am Numerous album-length remix projects extended her aural reach into head-banging dance pop, notably on 's hour-long collection of "Evolution" remixes. Sign In. Listen Now Browse Radio Search. Ayumi Hamasaki. Top Songs See All. Ayumi Hamasaki Rainbow 3. Just giving it a casual listen is a strict taboo and should one actually know anything about the genre like groups or artists he has branded himself a blasphemer for life.
I, myself, used to be one of these people who judged and shunned entire genres before evening knowing anything about them. Slowly, but surely, my tastes began to develop, but J-pop, something that some of my friends was very interested in, still remained the strict taboo that it had always been. To this date, I still have no recollection of how she got there, as even all my J-pop loving friends have made it clear that they did not send me that song.
Most likely it just fell into the mix, while I listened to my regular shtick. But alas, I did listen to it, and it began to grow on me. I was hooked. Rainbow was the album. J-pop was the genre. For a while, I reverted back to my judgmental ways. In fact, it plays very much like any other pop album, only more refined and sophisticated.
The result is a seventy-one minute, fifty-two second epic of a pop album, comprised of fifteen tracks. What impressed me the most about this album is the wide variety of musical facets it has buried within its songs.
Electric guitar is no stranger to this album, as it makes appearances all throughout as needed. Piano, synth, and strings are also mixed in throughout, each complimenting each other in some way or another. The music is shifted from being forefront of the song to sliding back and created the atmosphere.
Each song coincides with each other, making smooth transitions between. Each of the fifteen tracks on the seventy-one minute epic combine nicely to form one unique and beautiful piece of art. It establishes itself as more of a journey than just an album with a bunch of singles on it, something that many artists fail at miserably. No song on the album is sung entirely in English. The English portions of the album, for the most part, take away from the singing.
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